So much character and story background was hinted at, teased, or at least spoken of, then never explored. Were the gods gods or not? If not, what were they? What was happening with Nadya’s powers? What was all that about Serefin’s nondeath and the moths? I got so terribly lost and felt so stupid because I couldn’t make sense of any of it. Its concepts regarding magic and religion became obscure and ambiguous, and I got confused as to what exactly was happening. The last third, beginning when Nadya woke up while being siphoned, spoiled so many of those things I loved about the book. Nadya and Malachiasz’s tentative relationship with elements of Romeo and Juliet and Elizabeth and Darcy was beautifully crafted, and was of course my favorite aspect of the whole thing, romance junkie that I am. The world building was thorough, impressive, enveloping. The tone was deliciously dark without being cruel for shock value. Her characters were distinct and endearing, likable but flawed. She handled religious thematic questions and internal conflict with great skill. Every chapter, every scene, and every word had purpose. Duncan has phenomenal talent as a writer. It was more accessible to a non-high-fantasy-lover than I expected.
I avoided reading this book because I was afraid I wouldn’t like it now I find myself avoiding writing the review because my initial instincts were correct. Seriously, if you don’t want major twists spoiled for you, do not read on.
I received a free ARC via NetGalley in exchange for an honest review. Martin’s Press for inviting me to participate in the blog tour.
Wow this is a lot better than I-never mind
0 kommentar(er)
