The latter has been a particular hit for NetGalley users putting together home-school curricula. I have loved connecting with educators and librarians on NetGalley for books such as on Monique Morris’s Sing a Rhythm, Dance a Blues or James Loewen’s Lies My Teacher Told Me: Young Readers Edition. We are particularly proud of our bestselling progressive education list (a very different subject area from my previous houses), and we wouldn’t be so successful at this publishing area without the support of teachers and librarians who adopt our books into their work and communities. Sharing NetGalley feedback with authors is a particularly gratifying part of the run-up to the publication date and has become really important to us in garnering early consumer reviews for our path-breaking works of nonfiction. How does NetGalley fit into the workflow at a small indie publisher like The New Press?įor a good number of our authors, their first book with The New Press is their first book period (or at least their first non-academic book) and I think for any new author their book may not start to feel truly real until they see reviews of it in the world.
Thick comes out in paperback on October 1. As NetGalley reviews rolled in, buzz for Thick really picked up, resulting in editorial attention from Goodreads and inclusion in a Kindle Gold Box deal (not to mention reviews from the New York Times Book Review and Los Angeles Review of Books). Seeing these early reviews encouraged her to share the NetGalley listing on her own social media platforms, engaging an audience that already loved her, whether or not they were on NetGalley. For Thick, The New Press was working with a professor of sociology who also happens to have a significant Twitter following and co-hosts a podcast with Roxane Gay.īrian Ulicky, Director of Marketing and Publicity at The New Press, used early NetGalley reviews to demonstrate the effectiveness of pre-publication marketing efforts to Dr. Tressie McMillan Cottom, published in January 2019, exemplifies this dynamic between the academic and the mainstream. This means that their marketing strategy needs to appeal to several kinds of readers – academic readers need to be assured of the intellectual rigor, while mainstream readers need to feel invited to engage in complicated discourse. Often, they publish works by academic authors geared towards a popular audience. The New Press publishes books that straddle the lines between academic and mainstream. Tressie McMillan Cottom’s fanbase, while finding new audiences How The New Press used NetGalley to engage Dr.
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